Elias Hardt. Elias Hardt A necessary part of any prog collection. Paul G. Ilias Mastrogeorgiou. Wouter Eerdekens. Raul Rubio. Super Hobbit. Kevin Brady. Bradley Boyer. Israel Magar. Tihomir Vrbanec. Jens Larsen. Jerry Hewett. Lars E. Paul Becker. Roger Walker. Tiago Gehring. Scars Unseen.
Mihir Shah. Paul Goracke. Ivan V. Chris Christodoulou. Harry Walker. Brian Jorgensen. Ari-Pekka Tossavainen. Brad Rothgeb. Rudo Curtir. Robert B. This album proves that simplicity breeds beauty.
There exists such an overwhelming meaning in this album that almost everyone may feel connected to it. The atmosphere is rather heavy, greyish and mysterious. Creativity lurks in every corner. Kevin just knows how to beautifully express himself in simple chords, melodies, arpeggios and rhymes. The lyrics are short and full of emotions at times.
If you are looking forward to finding meaning in music listen to this album. The album takes a tremendous start though, Get Back In The Car is such a pure and touching piece of melancholic trip rock that instantly sets me into 5 star mode. Moore is brilliant in mixing space rock, post rock, soft jazz and electro into his own unique type of lounge prog, for lack of a better name. Another Permanent Address is very similar but less compelling. Also Astronaut Down dwells in the same space and with a much better result.
Great song. More nice surprises come from two very atmospheric tracks. Nice To Know and the instrumental Lunar. I think that a greater diversity in mood and some progression from the previous album might have made for a more inspiring listen. On this album I miss the sweat of an artist challenging himself. Nevertheless, it's a good album with many strong tracks. For fans of OSI, this band has the exact same song creativity and rich keyboards on offer, be it without any guitars.
But they aren't missed. The piano, samples, synths, subtle drum rhythms and Moore's poignant vocals have the focus, building lush arrangements with a pervading dreamy melancholic mood we all know from Pink Floyd. The keyboards are never showing off any virtuosity but they are very functional and inspiring. Next to a few instrumentals, the songs all have verse chorus structures and display qualities that could convince Floyd fans as easily as lovers of Depeche Mode or even the Cure.
With his first official album, Kevin Moore reveals he's more than just a keyboard player, his song writing skills along with his limited but touching voice make this into a most charming little album. Recommended to fans of The Wall and anybody else looking for some really great melancholic music. Review by JLocke Prog Reviewer. Yes, that's right. But what are we to expect with this? Not metal, that's for damn sure. If you go into this expecting Images and Words the sequel, you're going to be sorely disappointed.
So throw away any preconceptions you may have had about this, and embrace it for what it is: really amazing music! Moore's duties on this effort are multiple; he sings, plays keyboards and bass.
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With their chloroformed rhythms and heavy ambience, Massive Attack, Portishead, Tricky, Morcheeba and several other outfits invented a kind of dark, futuristic and often cinematic soul music. Warp, the record label which led to the blossoming of some of the most boundary-pushing artists of the electronic music scene, such as Aphex Twin, LFO, Boards of Canada, Autechre, and Squarepusher, now has their catalogue available on Qobuz.
True to its origins, Massive Attack is far from having finished experimenting with mixing dub, soul, rap and new wave.
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